Fumette | ||
| Number: | 12 | |
| Date: | 1858 | |
| Medium: | etching | |
| Size: | 163 x 109 mm | |
| Signed: | 'Whistler' at lower right (2-final) | |
| Inscribed: | 'Imp. Delatre. Rue St. Jacques, 171' at lower left (5) | |
| Set/Publication: | 'French Set', 1858 | |
| No. of States: | 5 | |
| Known impressions: | 75 | |
| Catalogues: | K.13; M.15; T.12; W.18 | |
| Impressions taken from this plate (75) | ||
PUBLICATION
EXHIBITIONS
In 1874 it was selected for the travelling exhibition of the collection of James Anderson Rose (1819-1890), and by Whistler for his first one-man retrospective in London. 10
Private collectors submitted distinctive impressions to shows in New York and Chicago, including ones lent to the Union League Club by Samuel Putnam Avery (1822-1904) in 1881, which were described as 'Trial proof; only one' (
), and one 'With added work and signed' (
) and finally, 'The published state' (
). 11 An impression was shown at the Glasgow International Exhibition in 1888, lent by Bernard Buchanan MacGeorge (1845?-1924). 12
Bryan Lathrop (1844-1916) also lent an impression to the exhibition organised by the Caxton Club, Chicago, in 1900 (
) 13 Print dealers in New York, particularly F. Keppel & Co. (1902) and H. Wunderlich & Co. (1898, 1903), held exhibitions of important groups of works for sale. For instance, two strong impressions originally owned by Francis Seymour Haden, Sr (1818-1910) were shown by Wunderlich's in 1898 and bought, with the advice of Thomas Wilmer Dewing (1851-1938), by Charles Lang Freer (1856-1919) (
,
). Another from the same collection was bought by Avery (
). 14 9: Paris Salon 1859 (cat. no. 3674); see REFERENCES: EXHIBITIONS.
10: Liverpool 1874 (cat. no. 512); London Pall Mall 1874 (cat. no. 7).
11: New York 1881 (cat. nos. 27, 28, 29).
12: Glasgow 1888 (cat. no. 2552-18)
13: Chicago 1900 (cat. no. 18).
14: New York 1898 (cat. no. 17).
15: New York 1904a (cat. no. 19); Boston 1904 (cat. no. 13); Paris Mem. 1905 (cat. no. 299).
16: London Mem. 1905 (cat. no. 18).
SALES & COLLECTORS
) through Haden, to whom he wrote on 20 June 1859: 'I enclose two drafts on Liverpool amounting to £63 sterling and as requested by you, for the etchings - they arrived in good order and are considered very fine, doing Jemmy great credit'. 17 17: GUW #07079.
). 18 The first purchase of an impression of Fumette by the British Museum was in 1872 (
). Early purchasers of impressions in the set as published included George Aloysius Lucas (1824-1909) (
), whose collection came finally to the Baltimore Museum of Art; William Loring Andrews (1837-1927), who gave one to the Metropolitan Museum of Art, New York, in 1883 (
); and Henry F. Sewall (1816-1896) whose published impression (
) went to the Museum of Fine Arts, Boston, MA, Harvey D. Parker Collection, in November 1897.18: V&A, Register for Prints, p. 33.
19: 26 December 1888, GUW #13076.
20: Sotheby's, 22 April 1887 (lot 176), 28 February 1890 (lot 476).
21: Sotheby's, 3 March 1892 (lots 61, 62).
22: Christie's, 8-9 March 1892 (lots 323, 324).
