Etchings Institutions search term: british museum
F. R. Leyland | ||
| Number: | 121 | |
| Date: | 1874/1875 | |
| Medium: | etching, drypoint and open bite | |
| Size: | 304 x 177 mm | |
| Signed: | butterfly at right | |
| Inscribed: | no | |
| Set/Publication: | 'Cancelled Plates', 1879 | |
| No. of States: | 2 | |
| Known impressions: | 20 | |
| Catalogues: | K.102; M.103; W.93 | |
| Impressions taken from this plate (20) | ||
PUBLICATION
).EXHIBITIONS
) and to a later show in Boston in 1910. 13
After Whistler's death an impression was lent to the Grolier Club exhibition in New York in 1904, and Henry Studdy Theobald (1847-1934) lent an impression to the Whistler Memorial exhibition in London in the following year. 14
12: See REFERENCES: EXHIBITIONS.
13: Chicago 1900 (cat. no. 88); Boston 1910 ; see REFERENCES: EXHIBITIONS.
14: New York 1904a (cat. no. 97); London Mem. 1905 (cat. no. 93).
SALES & COLLECTORS
). Two impressions of the second state are recorded, which were acquired by George Washington Vanderbilt (1862-1914) (
) and Charles Lang Freer (1856-1919) (
).15: Sotheby's, 3 March 1892 (lot 144).
). She also owned another set that was cut up, the impressions being stuck on the envelopes holding the copper plates (
). Other cancelled impressions, often in the album in which they were originally published, were acquired by the British Museum in 1887 (
); by Thomas Glen Arthur (1858-1907) in the same year (
); by Freer from Knoedler & Co. in 1893 (
); from J. Littauer by the Hamburger Kunsthalle in 1896 (
); and by other collectors and collections including George Aloysius Lucas (1824-1909) (
) and Walter M. Hill (1868-1952) (
).16: Sotheby's, London, 13 December 1889 (lot 787 or 789).
