Young Woman Standing | ||
Number: | 333 | |
Date: | 1887/1888 | |
Medium: | drypoint | |
Size: | 213 x 124 mm | |
Signed: | no | |
Inscribed: | no | |
Set/Publication: | no | |
No. of States: | 1 | |
Known impressions: | 0 | |
Catalogues: | K.132; M.345 | |
Impressions taken from this plate (0) |
Young Woman Standing dates from 1887 or 1888. The style of costume can be dated to 1887, but variations on this style could have been worn over a longer period. 1
The copper plate was close in size to Nude Woman Standing 332 and The Church - Brussels (Adoration) 340. The first of these is difficult to date precisely but the second dates from 1887.
Howard Mansfield (1849-1938), who owned the sole impression of the drypoint (), grouped it with plates dating from 1887, such as Fish Women, Ostend 349. 2 Mansfield's impression of Young Woman Standing was trimmed to the platemark and signed in graphite pencil on the tab with a butterfly that can be dated to between 1887 and 1889.
Edward Guthrie Kennedy (1849-1932) did not give dates in his catalogue but he grouped the drypoint with plates dating from the mid- to late 1870s, such as Girl Standing 152 and The Desk 129. However, this was incorrect. 3
The copper plate was close in size to Nude Woman Standing 332 and The Church - Brussels (Adoration) 340. The first of these is difficult to date precisely but the second dates from 1887.
Howard Mansfield (1849-1938), who owned the sole impression of the drypoint (), grouped it with plates dating from 1887, such as Fish Women, Ostend 349. 2 Mansfield's impression of Young Woman Standing was trimmed to the platemark and signed in graphite pencil on the tab with a butterfly that can be dated to between 1887 and 1889.
Edward Guthrie Kennedy (1849-1932) did not give dates in his catalogue but he grouped the drypoint with plates dating from the mid- to late 1870s, such as Girl Standing 152 and The Desk 129. However, this was incorrect. 3