Maud, Standing |  Art Institute of Chicago (2007.145) | |
| Number: | 169 | |
| Date: | 1876-1878 | |
| Medium: | etching and drypoint | |
| Size: | 228 x 152 mm | |
| Signed: | butterfly at right (7-final) | |
| Inscribed: | no | |
| Set/Publication: | no | |
| No. of States: | 16 | |
| Known impressions: | 13 | |
| Catalogues: | K.114; M.113; W.99 | |
| Impressions taken from this plate (13) | ||
Maud, Standing was probably started in 1876, and then reworked and completed in 1878. It is dated by comparisons of style and technique, by the fashion of the dress, and in later states, by the form of the butterfly signature.
Portraits of this period include
Whistler with the White Lock 162,
Irving as Philip of Spain, No. 1 158,
Irving as Philip of Spain, No. 2 159, and Sir Garnet Wolseley 177.