| Battersea: Early Morning | ||
| Number: | 157 | |
| Date: | 1875 | |
| Medium: | etching and drypoint | |
| Size: | 115 x 229 mm | |
| Signed: | no | |
| Inscribed: | no | |
| Set/Publication: | 'Cancelled Plates', 1879 | |
| No. of States: | 3 | |
| Known impressions: | 22 | |
| Catalogues: | K.152; M.149; W.129 | |
| Impressions taken from this plate (22) | ||
PUBLICATION
It was published in an album of  Cancelled Plates ('Cancelled Set') by The Fine Art Society, London, 1879. 
EXHIBITIONS
Battersea: Early Morning  was very rare, except for cancelled impressions, and was not exhibited, as far as is known, until 1903. An early impression was exhibited by Obach & Co., in London in 1903 and bought by Charles Lang Freer (1856-1919) ( ).  5
).  5 
 ).  5
).  5 5: London Obach 1903 (cat. no. 106). See REFERENCES : EXHIBITIONS.
 After Whistler's death,  another was shown at the Whistler Memorial Exhibition in London in 1905, lent by John Charles Sigismund Day (1826-1908). 6  
6: London Mem. 1905 (cat. no. 129).
SALES & COLLECTORS
Frederick Wedmore (1844-1921) noted in 1886: 'Mr. Menpes has a trial proof before the faint indication of the little bridge at the extreme right of the plate.'  7  This  impression,  from the collection of Mortimer Luddington Menpes (1860-1938) ( ), was  bought  from Obach & Co. by Charles Lang Freer (1856-1919) in 1903, together with  another print (
), was  bought  from Obach & Co. by Charles Lang Freer (1856-1919) in 1903, together with  another print ( ).
).
 ), was  bought  from Obach & Co. by Charles Lang Freer (1856-1919) in 1903, together with  another print (
), was  bought  from Obach & Co. by Charles Lang Freer (1856-1919) in 1903, together with  another print ( ).
).7: Wedmore 1886 A (cat. no. 129).
Edward Guthrie Kennedy (1849-1932) noted in the ledger of H. Wunderlich & Co.  that he knew of  three impressions of what he called 'The Troubled Thames': one was recorded as sold by 'Ballantine to Frelinghuysen', priced at $390, and two  second states were owned by Henry Harper Benedict (1844-1935) ( ), and  Harris G. Whittemore (d. ca 1937),  priced at  $200.  8  The latter was probably an impression of the third state, owned originally by Benedict, and later by Whittemore, which was given by Lessing Julius Rosenwald (1891-1971)  to the National Gallery of Art in 1949 (
), and  Harris G. Whittemore (d. ca 1937),  priced at  $200.  8  The latter was probably an impression of the third state, owned originally by Benedict, and later by Whittemore, which was given by Lessing Julius Rosenwald (1891-1971)  to the National Gallery of Art in 1949 ( ).
).
 ), and  Harris G. Whittemore (d. ca 1937),  priced at  $200.  8  The latter was probably an impression of the third state, owned originally by Benedict, and later by Whittemore, which was given by Lessing Julius Rosenwald (1891-1971)  to the National Gallery of Art in 1949 (
), and  Harris G. Whittemore (d. ca 1937),  priced at  $200.  8  The latter was probably an impression of the third state, owned originally by Benedict, and later by Whittemore, which was given by Lessing Julius Rosenwald (1891-1971)  to the National Gallery of Art in 1949 ( ).
).8: Ledger, Colby College, Maine.
 Sets including the cancelled impression of Battersea: Early Morning were bought by several collectors. George Aloysius Lucas (1824-1909) bought a set, which passed eventually to the Baltimore Museum of Art ( ).  The British Museum acquired a set in 1887 (
).  The British Museum acquired a set in 1887 ( ). Another was acquired in the same year, 1887, by Thomas Glen Arthur (1858-1907) (
). Another was acquired in the same year, 1887, by Thomas Glen Arthur (1858-1907) ( ). Yet another was  bought at the Alphonse Wyatt Thibaudeau (ca 1840- d.1892) sale in  1889  by Robert Dunthorne (b. ca 1851)  for £0.6.0. 9 This was later acquired  by Rosalind Birnie Philip (1873-1958), who   bequeathed it to the University of Glasgow, 1958 (
). Yet another was  bought at the Alphonse Wyatt Thibaudeau (ca 1840- d.1892) sale in  1889  by Robert Dunthorne (b. ca 1851)  for £0.6.0. 9 This was later acquired  by Rosalind Birnie Philip (1873-1958), who   bequeathed it to the University of Glasgow, 1958 ( ).
).
Freer bought a cancelled set in 1893, which he bequeathed to the Freer Gallery of Art ( ).  J. Littauer (fl. 1896) of Munich sold another set to the Hamburger Kunsthalle, in 1896 (
).  J. Littauer (fl. 1896) of Munich sold another set to the Hamburger Kunsthalle, in 1896 ( ). In Paris, Alfred Strölin sold a fine set to Jacques Doucet in 1907, which he gave to the Bibliothèque Jacques Doucet in 1918  (
). In Paris, Alfred Strölin sold a fine set to Jacques Doucet in 1907, which he gave to the Bibliothèque Jacques Doucet in 1918  ( ).
).
 ).  The British Museum acquired a set in 1887 (
).  The British Museum acquired a set in 1887 ( ). Another was acquired in the same year, 1887, by Thomas Glen Arthur (1858-1907) (
). Another was acquired in the same year, 1887, by Thomas Glen Arthur (1858-1907) ( ). Yet another was  bought at the Alphonse Wyatt Thibaudeau (ca 1840- d.1892) sale in  1889  by Robert Dunthorne (b. ca 1851)  for £0.6.0. 9 This was later acquired  by Rosalind Birnie Philip (1873-1958), who   bequeathed it to the University of Glasgow, 1958 (
). Yet another was  bought at the Alphonse Wyatt Thibaudeau (ca 1840- d.1892) sale in  1889  by Robert Dunthorne (b. ca 1851)  for £0.6.0. 9 This was later acquired  by Rosalind Birnie Philip (1873-1958), who   bequeathed it to the University of Glasgow, 1958 ( ).
).Freer bought a cancelled set in 1893, which he bequeathed to the Freer Gallery of Art (
 ).  J. Littauer (fl. 1896) of Munich sold another set to the Hamburger Kunsthalle, in 1896 (
).  J. Littauer (fl. 1896) of Munich sold another set to the Hamburger Kunsthalle, in 1896 ( ). In Paris, Alfred Strölin sold a fine set to Jacques Doucet in 1907, which he gave to the Bibliothèque Jacques Doucet in 1918  (
). In Paris, Alfred Strölin sold a fine set to Jacques Doucet in 1907, which he gave to the Bibliothèque Jacques Doucet in 1918  ( ).
).9: Sotheby's, 13 December 1889 (lot 787 or 789).

