Etchings Institutions search term: royal collection
Westminster Bridge in Progress |  Colby College Museum of Art, Maine (2013.495) | |
| Number: | 77 | |
| Date: | 1861 | |
| Medium: | etching and drypoint | |
| Size: | 150 x 352 mm | |
| Signed: | 'Whistler.' at lower right | |
| Inscribed: | '1861.' | |
| Set/Publication: | no | |
| No. of States: | 1 | |
| Known impressions: | 2 | |
| Catalogues: | K.72; M.74; W.70 | |
| Impressions taken from this plate (2) | ||
The copper plate has not been located. It has an exceptionally broad, narrow horizontal format. The only etching that is wider is Whistler's biggest print, The Palaces
[223], and dates from nearly twenty years later.
It was not, however, the first in which an extreme horizontal format had been used. Thames Warehouses
[46] and Old Westminster Bridge
[47], both dating from 1859, are on Hughes & Kimber plates measuring 76 or 77 x 204 mm. Clearly the shape of Westminster Bridge itself dictated the choice of plate shape and size.