Etchings Institutions search term: caxton club
Fusco | ||
| Number: | 106 | |
| Date: | 1872 | |
| Medium: | drypoint | |
| Size: | 208 x 132 mm | |
| Signed: | no | |
| Inscribed: | no | |
| Set/Publication: | no | |
| No. of States: | 1 | |
| Known impressions: | 7 | |
| Catalogues: | K.99; M.98; T.73; W.90 | |
| Impressions taken from this plate (7) | ||
PUBLICATION
EXHIBITIONS
An impression was lent by Samuel Putnam Avery (1822-1904) to the Union League Club show in New York in 1881 (
). 12 One was exhibited by H. Wunderlich & Co. in New York in 1898 and bought by Charles Lang Freer (1856-1919) (
). 13 Another was lent by Howard Mansfield (1849-1938) to the exhibition organised by the Caxton Club in Chicago in 1900 (
). 14
After Whistler's death, an impression was exhibited in the comprehensive exhibition in the Grolier Club, New York, in 1904 and Henry Studdy Theobald (1847-1934) lent his impression to the Memorial exhibition in London in 1905. 15
11: Thomas 1874 (cat. no. 73). See REFERENCES : EXHIBITIONS.
12: New York 1881 (cat. no. 121).
13: New York 1898 (cat. no. 85).
14: Chicago 1900 (cat. no. 85)
15: New York 1904a (cat. no. 94); London Mem. 1905 (cat. no. 90).
SALES & COLLECTORS
Early collectors included Samuel Putnam Avery (1822-1904), who bought one in the 1870s (
); and - slightly later - Henry Harper Benedict (1844-1935), who bought what was probably the second print (
), which is now in the National Gallery of Australia. Francis Seymour Haden, Sr (1818-1910) bought what was probably the last impression from the sale of the collection of James Anderson Rose (1819-1890) (
), and it was later acquired by Howard Mansfield (1849-1938), then by Harris G. Whittemore (d. ca 1937), and finally went to the Library of Congress.16: Howell to Whistler, 6-15 November 1877, GUW #02178.
). Two impressions went to the Art Institute of Chicago, one from the collection of Bryan Lathrop (1844-1916) (
) and the other from Clarence Buckingham (1855-1913) (
).
