Etchings Institutions search term: hunterian art gallery
| Finette | ||
| Number: | 61 | |
| Date: | 1859 | |
| Medium: | etching and drypoint | |
| Size: | 293 x 202 mm | |
| Signed: | 'Whistler.' at lower right (3); replaced with new 'Whistler.' at lower right (4-final) | |
| Inscribed: | '1859 -' at lower right (3); replaced with new '1859.' at lower right (4-final) | |
| Set/Publication: | 'Cancelled Plates', 1879 | |
| No. of States: | 14 | |
| Known impressions: | 38 | |
| Catalogues: | K.58; M.58; T.56; W.54 | |
| Impressions taken from this plate (38) | ||
 
                    The copper plate was close in size to another plate used in Paris at this time, Isle de la Cité, Paris
                        [63], and to many later plates. The plate has an uneven bevel, and the surface shows pitting at the upper left corner, plus oxidisation and pitting on the verso, and some stippling and various scratches that may be the beginnings of earlier compositions.
In 1872 an exhibition at the opening of the Guildhall Library and Museum of engraved portraits from the collection of James Anderson Rose (1819-1890)   included     portraits by Whistler, described as 'Nine portraits etched in copper - very rare - plates destroyed'. 21  
 Candidates for these nine portraits include Auguste Delâtre, Printer
                        [28], 
Whistler with a hat
                        [44],
C. L. Drouet, Sculptor
                        [35],
Finette
                        [61], Z. Astruc, Editor of 'L'Artiste'
                        [36],
Arthur Haden
                        [66],
Mr Mann
                        [73], 
Riault (The Wood Engraver)
                        [69] and
Axenfeld
                        [68]. Other possibilities include
Greenwich Pensioner
                        [40],
Bibi Valentin
                        [34],
Bibi Lalouette
                        [33] and 
Fumette, Standing
                        [59].
21: Cat. nos. 960-68.
The copper plate  of Finette could  have been cancelled by 1872 and was  certainly  cancelled by the time of Whistler's bankruptcy. The cancelled plate was probably among those sold at Whistler's bankruptcy sale and published in a set of Cancelled Etchings by the Fine Art Society in 1879. It may then have been acquired by Alphonse Wyatt Thibaudeau (ca 1840- d.1892),  and sold with   his collection of  68  plates 'more or less scratched'  at Sotheby's, 13 December  1889	(lot 786), which was  bought by Robert Dunthorne (b. ca 1851) for £11.12.0.	
Curiously, in 1891, Whistler recorded the sale of '"Finette." Destroyed Plate' to Frederick Keppel (1845-1912), for £21.0.0. 22  This appears expensive for an impression from the cancelled plate (good impressions of early proofs were being sold for £8.8.0 to £10.10.0).  However it was extremely unusual for Whistler to sell a cancelled copper plate so that  it is unclear what was going on.  Keppel does not appear to have received  the plate itself because it was  almost certainly among those acquired from Dunthorne by  Whistler's sister-in-law Rosalind Birnie Philip (1873-1958), in exchange for lithographs.    23  The plate was  given by Miss Philip to the University of Glasgow in 1935. 
22: Whistler to F. Keppel, 13 May 1891, GUW #13068.
23: Note by R. Birnie Philip, inserted in the album, Hunterian Art Gallery.


