The Velvet Dress (Mrs Leyland) | ||
| Number: | 120 | |
| Date: | 1873/1874 | |
| Medium: | drypoint | |
| Size: | 232 x 157 mm | |
| Signed: | butterfly at left | |
| Inscribed: | no | |
| Set/Publication: | no | |
| No. of States: | 7 | |
| Known impressions: | 17 | |
| Catalogues: | K.105; M.105; T.76; W.91 | |
| Impressions taken from this plate (17) | ||
TECHNIQUE
Long sweeping drypoint lines outline the dress and extremely delicate lines detail the face and hair, and gradually build up the shadowed curtain background. Early impressions were printed with a delicate burr but this gradually faded. In the final state, a radical revision of the dress and figure was drawn with bold drypoint lines, heavily inked and printed with a strong burr.
PRINTING
It was printed in black ink on a variety of Asian papers. A first state, for instance, was printed in black ink on cream Asian laid paper (
), and later impressions (there are only one or two 'proofs' of each state) on various light-weight Asian papers, one with irregular brown fibres (
), others thin buff (
), off-white (
) or ivory (
) papers. Some sheets look as if they have been taken from a book; one, for instance, on ivory Japanese paper has sewing holes at the left edge (
). Only one impression is on western paper, and it is the sole known impression of the final state, which is on ivory laid paper with a faint countermark, possibly 'V' (
).
), and later impressions (there are only one or two 'proofs' of each state) on various light-weight Asian papers, one with irregular brown fibres (
), others thin buff (
), off-white (
) or ivory (
) papers. Some sheets look as if they have been taken from a book; one, for instance, on ivory Japanese paper has sewing holes at the left edge (
). Only one impression is on western paper, and it is the sole known impression of the final state, which is on ivory laid paper with a faint countermark, possibly 'V' (
).
