232Upright VeniceBritish MuseumAccession no: 1929-12-14-11 State: 6/7 | ![]() |
| Collection credit: | |
| Image credit: | Photo © Trustees of the British Museum |
| Provenance: | Bequeathed by Arthur Haythorne Studd (1863-1919) to the British Museum, London, 1929. |
| Additional acq. no: | PRN: PPA52126 |
| Paper size: | 123 x 172 mm |
| Plate mark size: | 123 x 172 mm |
| Note on size: | fragment; top of etching cut off; torn roughly, vertically through the middle |
| Paper trimmed to pmk?: | no |
| Colour of the paper: | ivory? |
| Paper type (wove, laid, Japan etc): | n/a |
| Note on the paper: | colour is only seen at the cut edge, since tone obscures the rest |
| Tab?: | no |
| Watermarks: | n/a |
| Medium: | etching and drypoint |
| Ink colour: | black |
| Additional work on the print, e.g. in pencil: | no |
| Print tone: | tone overall |
| Note on foul biting: | |
| Print note: | the ink looks dark brown because of the tone or darkening of paper |
| Whistler's sign on plate: | butterfly |
| Inscriptions by Whistler on the plate: | no |
| Inscriptions by others on the plate: | no |
| Whistler's signature on paper: | no |
| Inscriptions by Whistler on the paper: | no |
| Tab signed/inscribed: | no |
| Note on the tab: |
| Printer's signature (e.g. Goulding): | no |
| Notes on inscriptions: | |
| Collector's mark: | n/a |
| Dealers' stock nos: | n/a |
| Misc inscriptions by others: | n/a |
| Source of information: | Whistler Etchings Project and museum records |
| ID: | K2050104 |
All inscriptions are in graphite pencil unless otherwise stated.
