| 212The Steamboat, VeniceFreer Gallery of ArtAccession no: 1905.203 State: 3/4 |  | 
| Collection credit: | Freer Gallery of Art, Smithsonian Institution | 
| Image credit: | Photo © Freer Gallery of Art, Smithsonian Institution | 
| Provenance: | Bought from Thomas Way (1837-1915), London, by Charles Lang Freer (1856-1919), Detroit, MI, 1905; bequeathed to the Freer Gallery of Art, Washington, DC, 1919. | 
| Paper size: | 365 x 234 mm | 
| Plate mark size: | 263 x 183 mm | 
| Paper trimmed to pmk?: | no | 
| Colour of the paper: | cream | 
| Paper type (wove, laid, Japan etc): | laid | 
| Note on the paper: | |
| Tab?: | no | 
| Watermarks: | 'KF' countermark | 
| Medium: | etching and drypoint | 
| Ink colour: | black | 
| Additional work on the print, e.g. in pencil: | no | 
| Print tone: | traces of tone near plate edges | 
| Note on foul biting: | fine regular patches on the sky at upper centre and to left and right of the domes of the Salute could be foul biting or grainy plate tone | 
| Print note: | 
| Whistler's sign on plate: | no | 
| Inscriptions by Whistler on the plate: | no | 
| Inscriptions by others on the plate: | no | 
| Whistler's signature on paper: | no | 
| Inscriptions by Whistler on the paper: | no | 
| Tab signed/inscribed: | no | 
| Note on the tab: | 
| Printer's signature (e.g. Goulding): | no | 
| Notes on inscriptions: | |
| Collector's mark: | no | 
| Dealers' stock nos: | no | 
| Misc inscriptions by others: | a long inscription on the recto has been erased. | 
| Source of information: | Whistler Etchings Project and museum records | 
| ID: | K2280102 | 
All inscriptions are in graphite pencil unless otherwise stated.
