222NocturneFreer Gallery of ArtAccession no: 1898.379 State: 6/9 | ![]() |
| Collection credit: | Freer Gallery of Art, Smithsonian Institution |
| Image credit: | Photo © Freer Gallery of Art, Smithsonian Institution |
| Provenance: | Francis Seymour Haden (1818-1910), London; bought from Hermann Wunderlich & Co. (receipt, 9 November 1898), by Charles Lang Freer (1856-1919), Detroit, MI, 1898; bequeathed to the Freer Gallery of Art, Washington, DC, 1919. |
| Paper size: | 225 x 316 mm |
| Plate mark size: | 202 x 295 mm |
| Note on size: | small margins |
| Paper trimmed to pmk?: | no |
| Colour of the paper: | cream |
| Paper type (wove, laid, Japan etc): | Asian wove |
| Note on the paper: | This is the same paper used for impressions of Little Venice, FGA 1898.378 and 1905.179 |
| Tab?: | no |
| Watermarks: | none |
| Medium: | etching and drypoint |
| Ink colour: | black |
| Additional work on the print, e.g. in pencil: | no |
| Print tone: | With considerable tone on the sky and water |
| Note on foul biting: | A few dark flecks at the upper and lower right |
| Print note: |
| Whistler's sign on plate: | no |
| Inscriptions by Whistler on the plate: | no |
| Inscriptions by others on the plate: | no |
| Whistler's signature on paper: | butterfly 'imp' |
| Inscriptions by Whistler on the paper: | 'II.(x)' in the lower right margin, possibly by Whistler |
| Tab signed/inscribed: | no |
| Note on the tab: |
| Printer's signature (e.g. Goulding): | no |
| Notes on inscriptions: | medium shaded butterfly (the size reflects the available space) |
| Collector's mark: | no |
| Dealers' stock nos: | no |
| Misc inscriptions by others: | 'W150' at lower centre on the verso by C.L. Freer. |
| Source of information: | Whistler Etchings Project and museum records |
| ID: | K1840302 |
All inscriptions are in graphite pencil unless otherwise stated.
