168Under Old Battersea BridgeFreer Gallery of ArtAccession no: 1898.404 State: 1/3 |  |
| Collection credit: | Freer Gallery of Art, Smithsonian Institution |
| Image credit: | Photo © Freer Gallery of Art, Smithsonian Institution |
| Provenance: | Francis Seymour Haden (1818-1910), London; bought from Hermann Wunderlich & Co. (receipt, 9 November 1898) by Charles Lang Freer (1856-1919), Detroit, MI, 1898; bequeathed to the Freer Gallery of Art, Washington, DC, 1919. |
| Paper size: | 355 x 225 mm |
| Plate mark size: | 214 x 137 mm |
| Paper trimmed to pmk?: | no |
| Colour of the paper: | cream |
| Paper type (wove, laid, Japan etc): | laid |
| Note on the paper: | |
| Tab?: | no |
| Watermarks: | De Erven De Blauw |
| Medium: | etching (and drypoint) |
| Ink colour: | black |
| Additional work on the print, e.g. in pencil: | no |
| Print tone: | Some plate tone near the plate edges, heaviest at the bottom |
| Note on foul biting: | scattered flecks |
| Print note: | The faint lines in the water in the foreground may be drypoint; this is a slipped impression so it is difficult to determine the medium of the lines between the piers of the bridge. |
| Whistler's sign on plate: | no |
| Inscriptions by Whistler on the plate: | no |
| Inscriptions by others on the plate: | no |
| Whistler's signature on paper: | butterfly |
| Inscriptions by Whistler on the paper: | '1st - Proof. Whistler' (the 'st' superscript, the signature underlined) in the lower margin |
| Tab signed/inscribed: | no |
| Note on the tab: |
| Printer's signature (e.g. Goulding): | no |
| Notes on inscriptions: | large shaded butterfly |
| Collector's mark: | no |
| Dealers' stock nos: | no |
| Misc inscriptions by others: | 'W280' at lower centre on the verso by C.L. Freer |
| Source of information: | Whistler Etchings Project and museum records |
| ID: | K1760102 |
All inscriptions are in graphite pencil unless otherwise stated.