95Battersea Dawn (Cadogan Pier)Freer Gallery of ArtAccession no: 1898.324 State: 1/2 | ![]() |
| Collection credit: | Freer Gallery of Art, Smithsonian Institution |
| Image credit: | Photo © Freer Gallery of Art, Smithsonian Institution |
| Provenance: | Probably acquired from Whistler by Francis Seymour Haden (1818-1910), London; bought from Hermann Wunderlich & Co., New York, (Wunderlich receipt 9 November 1898), by Charles Lang Freer (1856-1919), Detroit, MI, November 1898; bequeathed to the Freer Gallery of Art, Washington, DC, 1919. |
| Paper size: | 159 x 203 mm |
| Plate mark size: | 114 x 150 mm |
| Paper trimmed to pmk?: | no |
| Colour of the paper: | off-white |
| Paper type (wove, laid, Japan etc): | laid |
| Note on the paper: | 'modern' laid (post 1800), even dstribution, much debris, vertical chain lines |
| Tab?: | no |
| Watermarks: | Pro Patria over 'N', partial watermark |
| Medium: | etching and drypoint |
| Ink colour: | black |
| Additional work on the print, e.g. in pencil: | no |
| Print tone: | very faint plate tone at left and inky plate mark at lower left |
| Note on foul biting: | scattered flecks throughout image with more concentrated patch on and around beached boat in foreground |
| Print note: | rather a bare impression |
| Whistler's sign on plate: | 'Whistler ' ['t' not crossed] |
| Inscriptions by Whistler on the plate: | no |
| Inscriptions by others on the plate: | no |
| Whistler's signature on paper: | no |
| Inscriptions by Whistler on the paper: | no |
| Tab signed/inscribed: | no |
| Note on the tab: |
| Printer's signature (e.g. Goulding): | no |
| Notes on inscriptions: | M. Smith notes previously existing inscriptions 'S.H.' and 'F.S.H.' in graphite on print's margin. They were erased 1925.6.16 |
| Collector's mark: | no |
| Dealers' stock nos: | no |
| Misc inscriptions by others: | 'W79' by C.L. Freer. |
| Source of information: | Whistler Etchings Project and museum records |
| ID: | K0750106 |
All inscriptions are in graphite pencil unless otherwise stated.
